sound engineering

Nadia currently works for Boiler Room, LIW, Club Quarantine, Worldwide FM and Apples & Pears on a Freelance basis.

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Technical Skills

  • Pro Tools
  • Logic Pro X
  • Ableton
  • Adobe Audition
  • Universal Audio Software
  • iZotope Ozone 8 and RX7
  • Adobe Photoshop

  • Fabfilter
  • SSL AWS 900 & G+, Neve Custom 75 & VR Recording Desks
  • Soundcraft Signature 16, Behringer X32, Behringer XR18 XAir, Yamaha QL1 Dante desks
  • Pioneer CDJ 2000NXS2 1210 MK2 Technics Turntables, Traktor & Serato
  • MagicQ Lighting and Resolume Avenue Video software
  • Myriad Psqaured
 

2020

  • Sound Engineer for Giles Peterson’s Worldwide FM and currently works on the weekly ‘Papaoul’ and ‘Global Roots Record Room’ Radio Shows.

  • Sound Engineering remote sound checks for Toronto, Canada based Club Quarantine for their virtual Zoom parties including parties for Lady Gaga, Charli XCX, Diesel and Boiler Room.

  • Radio Producer and Sound Engineer for LIW. Co-developed virtual leadership programmes, follows a script, re-routes audio, edits podcasts and organises music licenses for clients Google, Cisco, Khuene+Nagel and Novartis.

  • Edited the Keep Hush podcasts with Nike called ‘Greenprint’, creating the intro jingle and adverts.

2019

  • Returned to Full Time Freelance Sound Engineering at the end of 2019 and Broadcast Sound Engineered for the Nike & Off-White Collaboration.

  • Full Time Audio & Radio Producer for house music Record Label Defected Records for the Defected and Glitterbox Radio Shows and Compilation Albums. Worked closely with CEO Simon Dunmore and DJ’s Sam Divine, Monki, Melvo Baptiste and Luke Solomon and learnt the foundations of how a Record Label works. Recorded each DJ set and performance.at the Defected Croatia and London FSTVL.

2018

  • Head Live Sound Engineer at Apples & Pears Bar in Shoreditch managing artist performances, sound checks and mixing front of house and stage sound.

  • Broadcast Assistant and Editor for Rinse FM and Engineered the Broadcast Sound at Wireless Festival for the Rinse FM stage in July 2018.

  • Started Freelance Broadcast Sound Engineering for Boiler Room at 22 years old. Events she’s Engineered includes International Women’s Day 2018-2021 (Jorja Smith, Celeste, Jamz Supernova), Skepta, Little Simz and Fatima & The Live Eglo Band for Land Rover, Low Heat Series, Notting Hill Carnival, Gasworks, Diplo, Mall Grab, Nines Album Launch.

2017

  • Live Sound Engineering 10 piece Jazz bands and operating the Lighting and Video wall at Prince of Wales (POW) in Brixton.

  • Head Live Sound Engineer at Poppies Fish and Chip Shop in Camden till 2019 Managing and Live Sound Engineering bands.

  • Volunteered at an up and coming radio station, produced, edited live radio shows and co-produced ‘About To Blow’ and ‘Conducta’ and Engineered sessions at the station’s Recording Studio.

 

Sound Designed and Engineered Post-Production Sound

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what people are saying

“Nadia was a pleasure to work with. Her energy around the office was infectious and she delivered work to a high standard. She’s full of ideas and clearly very knowledgeable about audio tech.”

— Tom Coxhead, Head of Digital Marketing and Executive Producer of Defected & Glitterbox Radio

 

“Nadia is super quick add new skills to her ever-expanding skillset, and when it comes time to use them she is reliable and trustworthy.”

— George Haskell, Technical Production Manager at Worldwide FM

 

“We’ve worked with Nadia across a multitude of projects and it’s always been an absolute pleasure. We know we can trust her with all of our sound needs!”

— Dee, Bossy LDN Co-Founder

 

“Nadia has been working as a freelance sound engineer for Boiler Room for the past 3 years. She’s worked on live event audio, broadcast mixing and audio post production, and is proficient in all areas. Nadia is always keen to pick up new skills and is a very fast learner.”

— Harry Lightfoot, Technical Production Manager at Boiler Room

 

“Noudle is our GO TO audio engineer in London. Incredible editing skills and amazing to work with. We at Keep Hush can’t recommend someone more highly than Noudle and will always be using Noudle for future projects.”

— Fred, Keep Hush Co-Founder

 

“Noudle‘s mixes caught my ears a while back now. Mainly due to the warm and punchy mix downs. Quickly enough i signed some music to different labels which really made some noise. It’s been amazing to see her go on to do much bigger things. A true talent within the industry.”

— Jam Jamiro, Producer & DJ